Mediterranean Garden Society
The Italian Branch of the MGS
In Italy the members of the MGS reside in all the Regions and therefore have very different gardens and types of planting, but we try to manage our gardens in an eco-sustainable way, especially with low water consumption. We offer an annual program of visits and meetings for members to:
Click here for a series of walks in the Sibillini Mountains (in English) where we accompany MGS member Jan Thompson on her hunt for wild flowers.
The photo at the top of this page shows the Piano Grande in Umbria, a large plateau full of wild flowers surrounded by the vast amphitheatre of the Sibillini mountains at 1,500 meters above sea level. In June we see the so-called 'infiorata': meadows splashed with the colors of the crops, including the famous lentils of Castelluccio. The fields bloomed even in 2017 after a devastating earthquake which destroyed Castellucio and blocked the roads leading up to the plateau.
Wednesday 8 February - via Zoom
Caroline Bourdillon, Landscaper, Horticulturist, Responsable, Espaces Verts, Capitoul Estate, France
“Two Years On: a return to Capitoul Estate in the South of France for an update on how the James Basson Scape Design project (presented via zoom to MGS in January 2021) is shaping up."
Wednesday 8 March - via Zoom
Leon Kluge, Plantsman and International Garden Designer, South Africa
“Designing and Nurturing the Gardens of Sterrekopje Farm in Franschhoek, South Africa.”
Wednesday 12 April - via Zoom
Gerald Luckhurst, Landscape Architect and Horticulturist, Portugal
“The Three Sintra Gardens of Monserrate, Regaleira and Queluz.”
Yvonne Barton, MGS Member and Gardener, Umbria, Italy
“Whatever happened to winter? How a gardener in central Italy is trying to cope with changing weather patterns.”
In mediterranean regions we rely on winter to bring rain to refresh the earth and cold to keep pests at bay - a time for regeneration. But in the last years in southern Europe we have seen very different weather patterns. Yvonne discusses what has changed. Does it matter? Is this the future? And how should we gardeners cope? Can we, by doing our best to minimise water needs and the use of pesticides and fertilisers, reduce these environmental impacts to survive and flourish? She also shares with us the plants that are in bloom at the moment in her garden.
Dr Yvonne Barton is a chartered civil engineer who lives and gardens in central Italy. Her garden, which features a natural swimming pond, was designed to be irrigation free from the outset.
Peter Amman, Journalist, Tour Guide, Botanist and Landscape Ecologist, Germany/Italy
“Giardino di Hera”: An Irrigation-free Gardening Adventure in Southern Italy
Working as tour guide and travel journalist, Peter Amman divides his time between Munich, Southern Italy and Sicily. In 2004, on a research trip with his partner Gundula they fell in love with the small town of Giungano and the surrounding landscape encapsulated by the magnificent Cilento National Park. The town is located near the ancient sites of Paestum and Pompei and overlooks the Amalfi Coast and island of Capri. Two years later they were able to buy three hectares of abandoned olive grove with its own ruin. Even before starting renovation works on the house, they immersed themselves in the garden. With the help of professional stonemasons, they rebuilt some of the dry-stone walls and got help from local farmers with pruning the old olive trees. In antiquity, Paestum was famous for its perfumed roses, so their next step was to plant antique roses - not an overall success as they had opted for an irrigation-free garden. A more successful strategy has been to expand on plant species strictly from mediterranean climates (mainly Europe) and use a landscape-wise approach to gardening incorporating the natural macchia, woodland and meadows. Peter gave an illustrated talk about this gardening journey. The successes, the failures, the challenges, the surprises, and the outlook for the future in a changing climate.
Dan Pearson, Landscape Designer, Horticulturist, Writer and Gardener, UK
“Recreating The Delos Garden at Sissinghurst”
In 2014 Dan Pearson was appointed a Garden Advisor to the National Trust at Sissinghurst. For the next three years he made an annual visit to meet with Head Gardener Troy Scott-Smith acting as a sounding board for his evolving plans to return the period romance and sense of place to the gardens. In 2018 Troy asked Dan if he could provide more concrete help in re-imagining Delos. This area of the garden had originally been envisaged by Harold Nicolson and Vita Sackville-West as an homage to the Greek island of that name which they had fallen in love with while on holiday in 1935. However, due to the garden’s north-facing aspect and heavy Wealden clay soil it had rapidly become a shady woodland garden quite at odds with the couple’s sun-baked vision. Working closely with Sissinghurst’s curatorial and gardening teams, Dan and his design studio gained a deeper understanding of the original intentions behind the garden, and proposed design solutions to make the site work including raked terracing to harvest as much sunshine as possible and a free-draining soil mix to give the planting the conditions it would require to thrive. The results of an earlier field study trip to Delos by two assistant gardeners provided first hand evidence of the plant species endemic to the island. Before starting work on the planting plans Dan visited Mediterranean plant specialist, Olivier Filippi, at his nursery in the south of France to get his guidance on those species best adapted to British growing conditions. Work on remaking the Delos garden started in spring 2019 and took a year to complete. In this talk Dan explains the process of reimagining this garden for contemporary visitors, the challenges involved and the success it has had since it was completed.
Louisa Jones, MGS Member and Writer, France
Today, conservationists worried about the planet’s future never mention gardens, though the area cared for by gardeners is much greater than the sum of all nature reserves. “Wilding” usually refers to forests and farms, however "Mediterranean gardening offers a way of living in harmony with the earth without contrived effects or heavy spending. Born of long human experience on the land, it is frugal and fruitful, serves many purposes and gives many pleasures, year-round. Today it adapts easily to our growing ecological awareness, to individual creativity and community sharing. Above all, it perpetuates a long-standing partnership between human beings and their environment, tested in Mediterranean countries for millennia." The success of this partnership, in spite of many regressions and obstacles, shows clearly in the region’s exceptional plant biodiversity — four times higher than in northern Europe. In her talk, Louisa Jones explores garden “wilding” in general and in particular in Mediterranean regions.
Tom Stuart-Smith, Landscape Architect, Tom Stuart-Smith, UK
“Gardening in the sand”
In a number of recent projects Tom Stuart-Smith has used different amounts of sand and grit as a growing medium to make it possible to grow a wider range of Mediterranean plants. He discusses projects at RHS Bridgewater, in Mallorca, at Knepp Castle and at his home in Hertfordshire – all of which use different amounts of sand. He also discusses, by comparison, his work at Le Jardin Secret in Marrakech where no sand was used. Participants on our recent tour of Marrakech will have seen this garden.
Jem Hanbury, Garden Designer, Jem Hanbury Studio, Perth, Australia
“Mediterranean Gardening in Western Australia”
Jem Hanbury is a Perth-based landscape designer working in Australia and internationally. In his talk, Jem gives an overview of the Southwest of Australia, a renowned biodiversity hotspot with over 25,000 endemic plant species, most of which are found nowhere else. Until European colonisation in 1829 this area was one of the least disturbed surfaces on earth. The focus of his presentation will be on the challenges facing sustainable gardening in the region and his approach to designing climatically appropriate landscapes in this Mediterranean climate.
Irises in Umbria
Our first meeting ‘in person’ since autumn 2019. Such a delight to see each other again after so long, and so much for us all to catch up on. We met at the Abbey of Montecorona near Umbertide, Umbria. Many of us had driven past the building without ever thinking to visit.
The Abbey is in the Tiber Valley at the foot of Monte Corona and 4 km from Umbertide. Local expert Simona Fanelli explained to us that according to tradition it was founded in 1008 by San Romualdo who created a simple hermitage. It became a monastery of considerable importance with 21 churches under it. The octagonal tower was originally for defence. Today the abbey is part of an agricultural estate.
The beautiful ancient crypt is an underground church with Roman and medieval columns.
The upper church, consecrated in 1105 by the Bishop of Gubbio, San Giovanni di Lodi, contains frescoes from the 14th C Umbrian School.
We ate a delicious lunch outdoors in the cloister of the Abbey, enjoying Umbrian specialities.
We were then welcomed at Iris Umbria by the owner Patricia Robertson, an MGS member. We learned about the irises and the origins of the garden whilst standing on the ‘green roof’ of the new Visitor Centre.
We were then free to explore the oceans of fabulous blooms.
Everyone has their favourites amongst the 650 varieties of Tall Bearded Iris.
New to many of us were the shorter and less showy - but perhaps easier to incorporate in a planting design - Medium Tall Bearded irises.
Views across the gardens and the Niccone Valley were splendid, and the walks through arches covered in classic roses.
What a super way to restart our MGS Italy garden visits.
Photos: Sergio Ungaro, Yvonne Barton
James Hitchmough, Professor of Horticultural Ecology University of Sheffield, UK
“Flora of Southwest Africa”
Between 2007 and 2018 James Hitchmough visited South Africa on a regular basis to explore the potential of its flora for climate change in Western Europe. He travelled extensively, often with Rod and Rachel Saunders of Silverhill Seeds in the Western Cape. His focus was on the highest natural distributions of herbaceous plants and geophytes that had potential for use in the UK as the climate of Southern England approaches that of current day Barcelona by 2050.
In this talk he explores some of the areas and plants that he visited and what knowledge was gained on Western Cape plants.
Cristóbal Elgueta, Landscape Architect, Santiago, Chile
Originally trained in forest engineering, Cristóbal Elgueta is a self-taught landscaper with a reputation for creating wild-looking gardens and parks with great biological diversity and limited input requirements.
From the outset of his career, he focused on the composition and functioning of plant communities in Mediterranean climates which enabled him to create a garden design methodology that he baptized as Ecosystemic Landscaping. This is a way of understanding the garden not only as an aesthetic and design exercise, but also as a powerful tool to restore balance and reconnect with nature. His talk will deal with the path travelled by Cristóbal and his colleague Macarena Calvo in the development of their methodology to make the garden a rich, beautiful and diverse biological system.
Speaker: Marco Scano, Agronomist, Pratobello, Sardinia, Italy
“Gardening Sustainably in Sardinia”
At Pratobello Marco designs gardens using a naturalistic approach which aims to increase sustainability and cope with climate change related problems. As a post graduate researcher and PhD student at Sheffield University he is running a project to explore the performance of designed plant communities under reduced maintenance protocols limited irrigation. Marco completed his studies in Agricultural Sciences in 2000 and then gained work experience in the family nursery and overseas in California before starting work as a landscaper.
Thomas Doxiadis, Principal Architect, doxiadis+, Athens, Greece
The Snake in the Garden: Designing for Symbiosis
Utopia, the perfect place, is a form of paradise created not by God but by “man”. This has been transcribed in many cultures as gardens that embody the notion of order, wellness and how we perceive our relationship with nature. Yet the overall process of changing the Earth into our own image has been extremely destructive, as we replace nature with what in the end is Dystopia. Now, in the Anthropocene, we have both the capacity to destroy the rest of the planet and the understanding not to do so. As designers, we ask the question, how do we construct on our beautiful and sensitive landscapes without destroying them?
The doxiadis+ team has been working on this problem for 20 years in tandem with their clients: seeking to understand both the land and people’s relationship to it, challenging beliefs of the good and the beautiful, seeking new equilibria. They think of these efforts as designing for symbiosis: between humans and the other inhabitants of the planet, between humans themselves, between old and new. Designing for Symbiosis reverses the trend of transformation as destruction by formulating transformation as a new synthesis, a cohabitation.
David Godshall and Jenny Jones, Partners, Terremoto Landscape, Los Angeles, USA
"New Factors in Horticultural Sustainability"
David Godshall and Jenny Jones, Terremoto Landscape, shared their inspiring vision for future horticultural sustainability. Arguing that designers need to be at the forefront of change, they presented the themes, threads and subtexts that run through their client-commissioned projects. They then introduced more experimental, explorative Terremoto-driven horticultural and land initiatives: Test Plot - inventing new forms of community stewardship for public parks; Land and Labor - arguing for equitable wages and recognition of horticultural gardening and construction workers will mean we increase the quality of care we give our green spaces.
David Ward, Garden and Nursery Director at Beth Chatto Gardens UK
Beth Chatto’s Gravel Garden: the creation of a drought-resistant garden.
Dave trained at the Norfolk College of Agriculture and Horticulture and Merrist Wood College, studying nursery practice and worked on various wholesale and retail nurseries in the UK and Holland. He joined Beth in 1983 and became Propagation Manager. He assisted at four Chelsea Gold Medal exhibits and recently contributed extra chapters to reprints of Beth Chatto’s Drought-resistant planting, Beth Chatto’s Woodland Garden and The Green Tapestry revisited. The Gravel Garden is situated in the driest part of the British Isles, with an average annual rainfall of just over 50cm / 20in, less than many parts of the Middle East. Surviving on poor gravelly soil, Beth Chatto’s Gravel Garden is today one of the finest examples of drought resistant planting in the country. Originally planted in 1992 to see if and how certain plants could survive without being artificially watered. The Gravel Garden has evolved to become an inspiration to gardeners faced with similar conditions wishing to create a drought resistant garden. David’s talk guides us through the theory and practicalities of the garden’s creation, its design and ongoing maintenance, as well as a glimpse of some seasonal highlights.
Rachel Weaving, Gardener, Author, MGS Member, Corfu
Gardens of Corfu
Rachel Weaving is a garden maker, author and MGS member who divides her time between Washington DC and the Greek island of Corfu. In this introduction to the gardens of the island, she explains how they reflect the climate and environment and Corfu’s unusual cosmopolitan history; how the remarkable crop of contemporary gardens there reflect global design trends; and how both the old and new gardens have certain stylistic features in common, based on local materials and crafts. Some of her illustrations come from her recent book with photographer Marianne Majerus: Gardens of Corfu - available on Amazon.
Noel Kingsbury, Author, Garden Designer, Lecturer, Portugal
Mediterranean gardening: a new adventure
Noel is internationally known as a writer about plants, gardens, and the environment. He has written some 25 books and is a regular contributor to Gardens Illustrated, The Daily Telegraph, The Guardian, The Garden, Hortus, The New York Times and many other publications. He is co-owner of Garden Masterclass which organizes day workshops throughout the British Isles but which went online during the Covid lockdowns and has since hosted 90 broadcasts and produced over a hundred hours of free content which can be viewed on Garden Masterclass YouTube Channel. As well as teaching and lecturing, Noel works as a garden/planting designer and horticultural consultant. He is best-known for his promotion of what is broadly called an ecological or naturalistic approach to planting design. In January 2020 he began work in his garden near Oliveira do Hospital in central Portugal where he is building a minimal irrigation garden which is both ornamental and supportive of local biodiversity. It is to Portugal we go together with Noel during our Zoom Encounter where he will share this new experience of gardening in the mediterranean with us.
Noel has kindly donated his time but asked that members make a donation to The Lemon Tree Trust which is a charity supported also by MGS. It is an amazing organization working inside refugee camps to pilot agricultural businesses and gardening initiatives to help displaced people gain independent access to food, develop new skills and discover new purpose and hope. We have set up a page on JustGiving.com and we have already collected more than €1,000. As we watch the Afghani situation unfold there has never been a better time to give to this cause.
Valerio Miragoli, Garden Designer, Ibiza
Valerio Miragoli has created some of the most spectacular gardens in Ibiza. An Italian-Spanish national, Valerio trained first in Italy at the Fondazione Minoprio and then gained a masters from Madrid Polytechnic. He started professional life in Florence in two of the most spectacular Italianate or formal gardens imaginable: the Boboli Garden and its predecessor Villa di Castello. He set up his own design business but the economic downturn of 2008 forced him to take his skills to new climes and he began working in Ibiza. Here he has succeeded in moulding client’s desires and demands for showy summer gardens often incompatible with the extreme climate (prolonged drought, intense heat, burning sunlight, salty winds, poor soils) into a new aesthetic in keeping with the conditions and surrounding landscape.
In his talk entitled "In search of coherence in the garden" Valerio introduces us to dazzling Ibiza and shares some of his favourite garden projects. (Presentation in English).
Marijke Honig, Botanist and Garden Landscaper, Cape Town, South Africa
Marijke studied botany at the University of Cape Town, honed her craft at the Kirstenbosch Botanical Gardens and has for the last20years been designing and planting indigenousgardens and landscapes. She is the author ofthebeautiful book “Indigenous Plant Palettes: a guide to plant selection”.The e-book version is available from Google Play here.
Marijke spoke to us via Zoom on the theme:
Stress as an asset:creating resilient water-wise gardens that reflect local characterand content
In the Western Cape of South Africa too, weather patterns arebecomingmore unpredictable and extreme. Marijke will talk about how local gardeners will need to adapt their approaches tocreateresilient landscapesand gardens thatcan survive and canbounce back aftersevere climaticevents.They will need to unlearn old habits (feeding, watering, pruning, digging) that force static states in a garden to align themselves to natural ecosystems within gardens where the role of stress is viewed as a plus. What we see as beauty in gardens and what we value about gardens is re-examined. If our gardens can survive on rainfall only, support greater biodiversity and are ecologically functional, that is something to strive for.
Alessandra Vinciguerra, Horticulturist, President, The William Walton Foundation and Director, La Mortella Gardens
Alessandra has worked in La Mortella Gardens, in Ischia, since 2001. She was the right arm of Lady Walton, the garden’s creator during the last ten years of her life. It was Lady Walton who gave Alessandra the honor and responsibility of following in her steps to nurture the garden and advance the cultural programs of the Foundation. In her role of Director, Alessandra takes care of the horticulture and landscape design, and oversees musical and educational programs, administration, planning and development and external relations. Elsewhere, she is active as a landscape consultant, exhibition curator and has contributed to several books on Italian gardens.
Alessandra takes us on ‘A Virtual Visit to La Mortella Gardens, Ischia, Italy’. La Mortella, “place of Myrtles”, is the spectacular subtropical and mediterranean garden envisioned and built by Susana Walton on a piece of land on Monte Zaro - half rocky hillside, half valley - to house her and her husband the composer Sir William Walton’s main residence. Russell Page the British landscape architect was responsible for the design of the lower garden “The Valley” while the upper side or “The Hill” was Lady Walton’s own design.
The garden spreads for about two hectares and has a major collection of exotic and rare plants that is constantly growing. The Valley is enveloping, intimate, humid, and luxurious while the Hill is sunny, open (with many wonderful views of the surrounding area) and cultivated with mediterranean natives. Fountains, ponds, streams are scattered everywhere and allow the cultivation of a various array of water-loving plants. The garden also has three tropical greenhouses.
On the eve of the garden’s reopening to the public we are grateful to MGS member Alessandra Vinciguerra for taking time out of a hectic schedule to give us a virtual tour and talk about the garden. (Presentation in English).
Maurizio Usai: Mediterranean gardens - a different perspective”
Sardinian native, plant addicted, garden designer, landscape architect and talented photographer Maurizio Usai shared images of his gardens and favourite plants in Sardinia and across Italy and discussed his design approach as he tries to capture and enhance that particular "sense of place" in each and every project. (Presentation in English.)
Matteo La Civita: ‘Plant-driven Design’
Originally from Gorizia, Matteo La Civita is a landscape designer, gardener and plantsman who has studied in Vienna, Turin and London (Kew Gardens). He is resident in the UK where he runs his own design studio as well as collaborating with Bradley-Hole Schoenaich and Trees Associates. He has always divided his time between London and Gorizia and recently he became curator of the Lucio Viatori Garden in Gorizia. Over the last 15 years, he has gradually been developing his own private garden also in Gorizia to house several impressive collections the largest of which is peonies - a personal favourite. It is to this private garden we “travel”.
Judith Wade, Founder and Chief Executive Officer, Grandi Giardini Italiani (GGI)
Of Scottish origins, born in Australia, Judith spent long periods in India and South America before arriving in Florence to study art.In 1997 she establishedGGIwith a vision of bringing the immense artistic and botanical heritage of Italian gardens, many hitherto private and hidden or public but often in disrepair, into the eye of the general public. The network is now a cultural landmark with over 140 gardens in its fold hosting over 700 events annually with visitor numbers in the millions.Judith talked via Zoom to MGS members all over the world about the story of this journey.
James Basson: Planting design with maintenance in mind (via Zoom)
James Basson is a designer best known as the winner of the best in show award at the RHS Chelsea Flower Show in 2017. Nearly all of his work to date has been achieved on the French Riviera, where he is based. James talked to MGS Italy about his approach to gardening with a view to reducing maintenance once the planting was complete. The use of gravel mulch and attention to pruning are key techniques. James illustrated his talk with examples from his ongoing project at Chateau Capitoul.
Our meeting with this pioneer in mediterranean gardening was held via Zoom. Members from other MGS branches around the world joined the meeting.
Luigi Sperati Ruffoni - “The Mindful Gardener. Beyond beauty: intellect and emotion” (via Zoom)
In his 2019 book “Il Giardiniere Consapevole” Luigi discusses how do we look at a garden? How do we relate to our own garden? Are our feelings reliable or are they influenced by tradition and convention? Luigi asks these questions about his own garden and about our relationship with the natural world. Using the lenses of science, art, philosophy and psychology, he looks beyond the garden as merely something that ‘looks pretty’ and discovers that our intuitive responses are more meaningful than perhaps we give them credit for. This reflective book will transport you into aspects of the garden and nature that probably you have always known about but not really been aware of.
Stefano Assogna and The Garden of the Future (via Zoom)
Our first Zoom-based meeting was a talk by Stefano who is a Lazio-based garden designer. He began his professional life as a gardener and later worked as a head gardener which allowed him to develop strong skills in the field of plants and gardens, essential in any design phase. His creativity and passion for technical and artistic drawing led him to specialize in Garden Design. In this presentation in Italian, Stefano showed original designs, photographs and videos to present a garden which he designed two years ago. Built on a hillside in the area known as Castelli Romani just outside Rome, this is a modern mediterranean garden created with sustainability and biodiversity at its core. Following the presentation, Stefano answered questions from participants.
Branch Annual Meeting and Plant Exchange, Recanati (MC), Le Marche
This year’s branch annual meeting and Plant Exchange took place over two days and was held in Le Marche. Our first visit was to the Italianate garden at Villa Buonaccorsi in Porta Potenza Picena.
The villa dates back to the early decades of the 1800s and is very run down. It has recently been acquired by a new owner who hopes to create a luxury hotel and the cost of the restoration is estimated at €30 million! The garden has better stood the test of time. It is maintained by Attilio (who guided our visit) and a team of two others. It descends over several terraces to an enormous “limonaia”.
On each terrace flowering box parterres are interspersed with fountains and terracotta vases dating as far back as 1870 which are planted with lemons. 150 or so mannerist statues of dwarves and other grotesque figures line the paths and there are numerous water games which still function. The views over the surrounding Marche hills are gorgeous.
After our visit we made our way across country to Recanati. Here were born Giacomo Leopardi one of Italy’s greatest poets and Beniamino Gigli one of the world’s greatest opera singers and our guided walking tour of the city was enlivened by tales of both personalities. Good fortune meant that our event was just one week after the inauguration of FAI’s newly-restored Orto sul Colle dell’Infinito.
The garden is new but we liked the plant selection and, given the Giacomo Leopardi connection (the view from the garden inspired his most famous poem “L’Infinito”, written exactly 100 years ago), the place was steeped in atmosphere.
The next day Anna Maria Dalla Casapiccola hosted our event at her historic “dimora” Palazzo della Casapiccola and guided us around its charming garden. Then followed a talk by international florist Ercole Morroni originally from nearby Senigallia. He gave us tips on colour and flower combinations in both gardens and floral arrangements, and much else. We finished with our usual exchange of plants.
"Un Viaggio nei giardini d’Europa" - Exhibition and Garden Visit, La Venaria Reale(TO)
Members travelled to La Venaria Reale near Turin to enjoy a unique visit to the exciting exhibition"Un Viaggio nei Giardini D'Europa"guided by curator Professor Paolo Cornaglia.
Across the centuries, architects and landscape designers, aristocrats and royalty, writers, intellectuals and scholars travelled across Europe to visit gardens, admire landscapes and draw inspiration from them. This exhibition brings together more than 200 exhibits including notebooks, diaries, garden plans, models and paintings to give a fascinating insight into changing garden fashions in Europe from the 15th to the 20th centuries.
We also visited the extensive and beautiful palace gardens with the Director of Gardens Maurizio Reggi who shared with us the philosophy behind the choices made in the mega restoration of the 80-hectare gardens.
Abandoned as a royal palace in the early 19th century and reduced by 1996 to total decay, the gardens now combine design elements drawn from the palace’s 16th 17th and 18th century historic archives with modern plantings to give visitors a wonderful taste of the garden of old.
Members enjoyed the magnificent countryside of Umbria while visiting two beautiful private gardens both set off to perfection by the surrounding hills and views.
The first garden of about 4500 square meters has been created over many years with passion and hard work by a husband and wife team who care for the garden themselves. It was truly inspirational to participants as it puts into practice many of the gardening principles promoted by the society in an original and beautiful way.
Started in 1983 the garden benefits from plenty of shade created by a canopy of larger trees and an understory of mid-size Mediterranean natives plus various garden structures which protect and encourage abundant ground level plantings.
Shrubs and perennials have been packed tightly together to save on evaporation and to keep out unwanted weeds. Everywhere desirable weeds, together with garden plants who have self-seeded in unplanned places, are left undisturbed and add amiable disorder to a lush and verdant haven.
There were a couple of very small lawns near the house and ‘lawn alternative’ grass around the swimming pool but elsewhere gravel has been used between plantings.
All of the paths were laid out and constructed by the owners themselves and along them are dotted lovely home-fashioned garden seats which invite one to rest.
There seemed no end to our delight as winding paths led us on and on to yet more plant-packed beds.
The second visit of the day provided a total contrast. This was a professionally-designed, modern, architectural garden created around a new home with ambitious ecological credentials (green roof, geothermal heat pump, photovoltaic panels, solar tube lighting, vertical water treatment plant). Set high up on a hillside with magnificent views over the countryside the garden invites you in with sweeping views to the woods on the left and to the house in front.
Along the drive several Fraxinus ornus trees are linked by garlands of vines – a customary agricultural feature from times gone by. All rainwater is conserved in huge underground cisterns but well water also serves for irrigation. Moving out from the house are planted swathes of repeating mediterranean natives (Elaeagnus ebbingei, both Phillyrea angustifolia and latifolia, Pistacia lentiscus plus several Cistus varietals) interspersed with sweeps of lawn.
The transition thereafter out towards the surrounding woodland has been managed by re-creating a woodland edge with a mixed hedge comprised of all the plants that would normally be found in nature: Rosa canina (dog rose), Spartium junceum (Spanish broom), Crataegus monogyna (common hawthorn), Prunus spinosa (blackthorn or sloe) and Cornus sanguinea (common dogwood).
Gardens of Springtime Florence
An enticing programme which started with a visit to both art collection and garden at Villa La Pietra. The garden is one of the most celebrated in Italy. A renaissance revival garden, it reflects the tastes of the large Anglo-American community that lived in Florence at the turn of the nineteenth century. Laid out by the Acton family from 1908 until the outbreak of the second world war, the garden’s design is much influenced by original Renaissance gardens of Florence although it also contains elements reflecting later gardening fashions. The priceless Acton Collection decorates the interior of Villa La Pietra with more than 6000 objects from a wide range of styles and media (no photos were permitted).
The following day we were accompanied by Count Torrigiani in his wonderful garden at Villa Torregiani. At 10 hectares this is the largest private garden in the world within the bounds of a walled city.
It features a romantic 19th century English Garden complete with mature trees, spreading lawns and various follies topped by a 40m-tall tower – symbol of the family. Then, as was the fashion, there is also an Italian garden with antique greenhouse of over 200 square meters and a pretty parterre garden in front of it.
Transferring to Piazzale Michelangelo (and the classic view of Florence’s Cathedral) we then walked back down to the city first through the Giardino dell’Iris where magnificent varietals of iris - entrants to the annual international competition which has been held here since 1954 - are planted in beds organized by year. Then still further down through the Giardino delle Rose– magnificent in May bloom.
After lunch in the historic quarter of San Niccolò we were accompanied by a landscape architect on our afternoon visits. First to the recently restored gardens at Villa Bardini, worth a visit for the views of Florence alone, it is a steeply terraced late-18th century garden, replete with statuary, an Anglo-Chinese garden and more horticultural interest than at most historic Italian gardens. We enjoyed the collection of irises lining the baroque staircase and the wisteria tunnel underplanted with 60 varieties of hydrangea.
On foot we then proceeded to the Giardini di Boboli to appreciate highlights of one of the first and most important examples of the "Italian Garden”. Originally designed for the Medici, Boboli served as inspiration for many European courts and in particular, Versailles. The park hosts centuries-old oak trees, fountains, mazes and statuary both ancient and Renaissance. Particularly beautiful the Grotto created by Buontalento – a mannerist masterpiece.
Gardens, Landscapes and History of the Bay of Naples
MGS Italy and numerous members from other branches enjoyed five days of visits in the Bay of Naples area. Based in Sorrento, the tour included botanical, historic, romantic, private and productive gardens plus several historic attractions.
On the island of Capri we walked on Monte Solaro, visited San Michele Church, enjoyed lunch on the terrace at Axel Munthe’s masterpiece Villa San Michele and savored the verdant silence of the thirteenth-century Certosa di San Giacomo.
A day on the Sorrento peninsula featured a visit to a centuries-old productive lemon grove “Giardino Il Vigliano” and a nature walk on Punta Campanella with wild orchids, asphodels, cistus, broom and magnificent views over the Bay of Ieranto.
Next up was a panoramic drive along the Amalfi Coast, a vertical landscape between mountain and sea and the very essence of “mediterranean”. We left the coast to arrive to romantic, cliff-top Ravello and visited the gardens at Villa Cimbrone and Villa Rufolo. On our way home we crossed the Monte Lattari mountain range, dropping in to visit “Il Giardino Segreto dell’Anima” en-route.
Two days of visits in the Vesuvius area focused on the legacy of Roman nobles and Bourbon kings. They included the Pompei UNESCO ruins, the stunning Villa Di Poppea at Opplontis, the Royal Palace at Portici with its historic botanic garden and Villa Campioleto one of the Vesuvian Villas on the Golden Mile from the Bourbon era.
Branch Annual Meeting and Plant Exchange, Torre di Sopra, Bagno a Ripoli (FI)
This year’s venue for our Branch Annual Meeting and Plant exchange was Torre di Sopra (the Tower Above), Italy Branch member Jane Sacchi’s magnificent and unusual medieval property lying 10km to the south of Florence around which she has developed a lovely garden. Low hedges of bay, oak, oleaster and rosemary are clipped to form clean horizontal lines and within these olive trees, vines and fruit trees flourish. Flowering shrubs – salvia, catmint, rosemary, agapanthus, cosmos - in blues, oranges and whites provided color accents which are repeated in the interior decorations with exquisite taste. The vegetable garden, in a beautifully-constructed medieval layout, provides ample vegetables all year round and is much loved by guests, family and friends. The garden provides a perfect setting for the house and tower and a glorious place to sit and enjoy magnificent views over Tuscany and the city of Florence.
Palaces and Historic Gardens in and around Caserta
A delightful two-day itinerary around our visit to one of the marvels of Italy – La Reggia di Caserta -included two other private historical residences and gardens in the area: the Giardino Dei Duchi Guevara di Bovino with its Italianate and English gardens (which features in the book “Italy’s Best Gardens”) and Palazzo Mondo with its stunning art, exquisite interiors and historic courtyard garden typical of Southern Italy.
We began however with an interesting visit to Casino Reale del Belvedere and Museo della Seta at San Leucio where we encountered the old looms of the silk factory and visited the royal apartments where the vast marble bath in beautifully-frescoed bathroom of Maria Carolina impressed us.
The Garden of the Dukes Guevara di Bovino was built in 1781 by Annamaria Suardo Guevara, Duchess of Bovino. It extends for 1.7 hectares and is designed in part with avenues with shaped hedges in the Italianate style and in part with an ancient oak forest, originally intended for hunting and then converted in the late '700 into a romantic walk.
At the Reggia di Caserta we started with a visit to the Royal Palace, one of the largest and most majestic buildings in Europe (1200 rooms served by 34 stairs and 1970 windows), the masterpiece of the architect Luigi Vanvitelli. On the ground floor, the elegant and harmonious Court Theatre was a particular delight.
Inside, the grand staircase to the first floor is surmounted by a double elliptical vault in which musicians were placed to greet the arrival of the King and his guests.
We proceeded from there to the beautiful Palatina Chapel and the sumptuous Royal Apartments with rooms full of furniture and decorations from the 1700s and 1800s.
Once outside in the Royal Park, our horse and carriage ride allowed us to visit a little-known area of the Park, the Royal Forest. Here was a large fishing lake with a wooded island in the middle, and deep in the trees is the Torre Prenesta or Castelluccia, an octagonal building surrounded by a moat, built for education and recreation of the young Princes and Court.
The Italianate Park (covering over 120 hectares with a 3 km long central axis) has amazing water games, pools arranged at different heights and fountains that culminate with the Great Waterfall. The latter plunges 78 meters, framed by tall woodland, into a large basin enriched by a superb sculptural cycle depicting Diana surrounded by nymphs and dogs driving away Actaeon, who being transformed into a deer, is attacked by his own dogs.
Now on foot we encountered the English Garden, located in the western part of the park, constructed by the English botanist G. Andrew Graefer on behalf of Queen Maria Carolina, under the supervision of Carlo Vanvitelli who succeeded his father. The garden occupies an area of over 25 hectares and has ancient trees, ponds, rare plants and ancient greenhouses. There we admired the archaeological remains from the excavations of Pompeii and other picturesque artificial ruins. A most beautiful feature was the statue of Venus kneeling on a rock surrounded by a tranquil pond.
Originally all water features in the park were supplied by Carolino Aqueduct, 40 km long and traversing five mountains, designed by Luigi Vanvitelli himself based on the architectural model of the Roman aqueducts. Today water from the aqueduct is diverted to the town of Caserta and the fountains and pools function on pumps and recycled water.
Palazzo Mondo: we lunched downstairs before visiting the historic first floor apartment which is now preserved as a house-museum dedicated to the ‘fresco’ painter Domenico Mondo. The delightful courtyard garden is enclosed by high walls of tufa and shaded by Aralia papyrifera. Oranges and tangerines, laurel and philadelphus plus climbers of jasmine and clematis give perfume and form while the loggia where we had our coffees was dripping in strawberry grapes.
Our trip was organized in collaboration with the cultural association GIA.D.A (Giardini e Dimore dell’Armonia) which was founded to preserve and promote historical gardens and villas in the area.
Photographs by Sergio Ungaro
Assisi: In the footsteps of Saint Francis
We started our day with a guided visit to the specialist rose nursery ‘Quando Fioriranno Le Rose’ set against the stunning backdrop of Assisi.
The name of thenurserycomes from a story about St Francis. He went to visit Saint Clare in her convent in the town of Assisi during winter with snow on the ground. As he was leaving, she asked him when he would return. His reply was Quando fioriranno le rose (‘when the roses bloom’), upon which roses grew up out of the snow and came into bloom and Saint Clare presented him with a bouquet of them.
Owned by Paola Bianchi and run together with her husband Fabio who is also a professional photographer, the nursery features a rose garden full of antique and English roses which have been selected for multiple flowering, colour and fragrance. The guided visit was an excellent way to develop our knowledge of roses and to get to know some stunning varieties.
We then moved to the Bosco di San Francesco. While the Basilica of Saint Francis of Assisi is no doubt one of Assisi’s major attractions, few know of the nearby woods or venture along the trails where Francis himself and his friars walked in nature and dedicated themselves to contemplation.
After a light lunch we enjoyed a guided tour of the complex by the resident head gardener. We visited the garden around the ancient Benedictine monastery and the historic woodland park recently restored by FAI (Fondo Ambiente Italiano). Our walk was followed by an interesting presentation of traditional cooking from the time of the Benedictine sisters (1200-1300) to today.
For older reports and articles please check out the archived (non-responsive) Italian Branch page.
Branch Head, Angela Durnford writes "I am English – born in Kenya and educated in the UK - and I lived and worked in London for many years marketing for organizations such as Amex, the BBC, the FT and The Economist. I met my husband Sergio and moved to Italy in 1996. In 2004 we bought and restructured our house in Montemarcello (SP) on the west coast of Italy in the bay of La Spezia and I began working on the garden, which is dominated by a magnificent view over the bay and the Montemarcello Regional Park. The plot is about a hectare with half given over to olives, and we produce about 150 litres of punchy, green oil every other year. At the beginning I knew very little indeed, but I was fortunate to receive a copy of Heidi Gildemeister’s book Mediterranean Gardening as a gift, and so began my gardening journey…"
THE MEDITERRANEAN GARDEN is the registered trademark of The Mediterranean Garden Society in the European Union, Australia, and the United States of America